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“The Creation of Light: Tradition and Innovation in the Stained-Glass Windows in the Basilica of the Annunciation,” in The Basilica of the Annunciation in Nazareth: Where the Word Became Flesh, ed. E. Segal, A. Pinkus and G. Fishhof (Germany: De Gruyter, 2020): 193–209.

“The Sepulchral Monument of the Patroness of Nazareth’s Salesian Church: Sources and Meaning,” in Nazareth: Archaeology, History and Cultural Heritage, ed. M. Yazbak and S. Safadi (Nazareth: Nazareth Municipality, 2012): 71–81.

“The Magi on the Portal of Saint-Trophime at Arles: Meaning and Politics,” Arte Medievale, ser. IV, 1 (2010–2011): 49–60.

“Sculpted Images from the Eastern Gallery of the Saint Trophime Cloister in Arles and the Cathar Heresy,” in Difference and Identity in Francia and Medieval France, ed. J. Firnhaber-Baker and M. Cohen (Farnham, Burlington: Ashgate, 2010): 43–74.

“The Three Magi on the Western Portal of Saint-Trophime at Arles: Significance, Iconography and Political Context,” in Pictorial Languages and Their Meanings: Liber Amicorum in Honor of Nurith Kenaan-Kedar, ed. C. B. Verzar and G. Fishhof (Tel Aviv: Tel Aviv University, 2006), 233–42.